黑德马克博物馆及斯维勒·费恩的"地平线"——范围的确立与地面的存在
Hedemark Museum and Sverre Fehn's"Horizon":The Establishment of Scope and the Existence of Ground
郭昊伦1
作者信息
摘要
"地平线"(Horizon)是斯维勒·费恩(Sverre Fehn)重要的建筑设计理论.通过确认"地平线"的基本定义,并由此出发,讨论费恩对"地平线"的演绎,得出"范围的确立"与"地面的存在"两个关键主张,并将二者作为展开黑德马克博物馆(Hedmark Museum)分析的关键线索,进而明确黑德马克博物馆与场地历史遗迹的紧密联系,以及围绕地面的消失与再现组织的建筑建构特征.
Abstract
The term Horizon is an important design theory of Sverre Fehn.The paper addresses the definition of Horizon,making it the base for the personal deduction of Sverre Fehn,and concludes that Horizon,for Fehn,means a legitimation of domain,as well as an existence of earth.These two claims are applied as keys for the case study of Hedmark Museum to clarify the intimate relationship between the museum and its historical site,as well as the construction thought on the disappearance and reappearance of earth.
关键词
地平线/斯维勒·费恩/黑德马克博物馆/场所/建构特征Key words
Horizon/Sverre Fehn/Hedmark Museum/place/construction引用本文复制引用
出版年
2024
国家科技期刊平台
NSTL
万方数据