The Metaphorical Construction of the Cultural Logic of the"Outlook on Nature"in Contemporary Ceramics from the Perspective of Ecological Aesthetics
The concept of ecological aesthetics came into being in the 1980s,which inspired scholars from all walks of life to go back to the concept of"harmony between man and nature"in China.The article first expounds the ecological concept in the traditional context,which leads to the origin of the concept of ecological aesthetics.The core chapter takes the criticism of urban civilization,recycling of waste materials,harmonious coexistence between human and nature and other excellent case studies of theme creation as the argument,expresses the metaphor of ecological aesthetics in the cultural logic of modern"natural outlook"through contemporary ceramic works,and analyzes the impact of ecological aesthetics on artistic creation.In the process of artistic creation,we ignore the binary opposition between man and nature,which is regarded as the main object in traditional aesthetic thinking,and reconstruct the modern and sustainable relationship that coordinates the harmonious coexistence of man and nature.
国家科技期刊平台
NSTL
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