生态美学视野下陶瓷装置中的现代"自然观"文化逻辑隐喻
The Metaphorical Construction of the Cultural Logic of the"Outlook on Nature"in Contemporary Ceramics from the Perspective of Ecological Aesthetics
陈健 1张鑫 1宋庆璐1
作者信息
摘要
20世纪80年代,生态美学观念应运而生.此观念启发了各界学者对于中国"天人合一"观念的回溯.文章首先阐述传统文脉中的生态观念,以此引出生态美学概念的由来.核心章节以对都市文明的批判、废弃材料的回收再利用、人与自然的和谐共生等主题创作的优秀案例分析为论据,通过当代陶艺作品表达生态美学观在现代性"自然观"文化逻辑中的隐喻,剖析生态美学观念对艺术创作的影响.在艺术创作过程中漠视传统审美思维中人与自然被视为主客体的二元对立性,重构协调人与自然和谐共生的现代化永续关系.
Abstract
The concept of ecological aesthetics came into being in the 1980s,which inspired scholars from all walks of life to go back to the concept of"harmony between man and nature"in China.The article first expounds the ecological concept in the traditional context,which leads to the origin of the concept of ecological aesthetics.The core chapter takes the criticism of urban civilization,recycling of waste materials,harmonious coexistence between human and nature and other excellent case studies of theme creation as the argument,expresses the metaphor of ecological aesthetics in the cultural logic of modern"natural outlook"through contemporary ceramic works,and analyzes the impact of ecological aesthetics on artistic creation.In the process of artistic creation,we ignore the binary opposition between man and nature,which is regarded as the main object in traditional aesthetic thinking,and reconstruct the modern and sustainable relationship that coordinates the harmonious coexistence of man and nature.
关键词
当代陶艺/生态美学/自然观/文化逻辑/隐喻Key words
contemporary ceramic art/ecological aesthetics/natural view/cultural logic/metaphor引用本文复制引用
出版年
2024
国家科技期刊平台
NSTL
万方数据