从敦煌莫高窟壁画看盛唐时期的佛塔建筑
A Study of Pagoda Architecture in the Glorious Age of Tang Dynasty from Mogao Grottoes Murals
刘慧 1肖灿 1陈飞虎1
作者信息
摘要
基于对敦煌莫高窟历代佛塔壁画分布情况的梳理,总结莫高窟盛唐壁画中佛塔类型与发展规律.从形制、色彩、装饰造像三个层面,对莫高窟壁画中木塔、砖石塔、砖木混合塔佛塔建筑与现存盛唐时期同类型佛塔建筑进行比较研究,发现两者异同.此外,文章还分析了盛唐佛塔建筑对盛唐后传统佛塔建筑与现代建筑的影响,提出在现代审美语境下继承与发展盛唐佛塔建筑的设计方法.
Abstract
Based on analyzing the distribution of Dunhuang Mogao Grottoes pagoda murals in different dynasties,the types and development patterns of pagodas in Mogao Grottoes murals in the glorious age of Tang Dynasty are summarized.In terms of form,color and ornamentation,the pagoda architecture in Mogao Grottoes murals is compared with that of the existing wooden pagodas,masonry pagodas,and brick and wood pagodas in the glorious age of Tang Dynasty,so as to find out the similarities and differences.The influences of the pagoda architecture in the glorious age of Tang Dynasty on the subsequent pagoda architecture and modern architecture are analyzed.The design methods for the inheritance and development of the pagod architecture in the glorious age of Tang Dynasty in the context of modern design are proposed.
关键词
敦煌壁画/佛塔/形制/色彩/装饰造像Key words
Dunhuang frescoes/pagoda/shap and structure/colour/veins of decoration引用本文复制引用
出版年
2024
国家科技期刊平台
NSTL
万方数据