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清代湖湘地区孔庙祭祀仪式与礼俗用乐

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孔庙祭祀是对以儒学为代表的传统文化和以孔子为代表的历代贤哲的一种释典活动,在祭祀仪式活动中,礼俗用乐伴随着祀典的全部过程,这些音乐专门为祭孔祀典而制作,带有强烈的乐舞特征。清代湖湘地区盛行祭孔祀典,形成了直省祭孔与孔府家庙祭孔释奠的两大用乐体系,由于清代湖湘地区祭孔礼俗用乐体系的成熟及程序的完善,湖湘地区孔庙祭祀礼俗用乐在中国音乐发展史上有着举足轻重的地位。湖湘地区孔庙祭祀礼俗用乐有着独特的乐舞内容和表现形式,它历经了定乐、发展、缺失、重整等兴亡盛衰,虽然古制音律原貌难寻,但祭祀礼俗用乐与湖湘地方音乐之间形成了相互影响、相互依存的格局,同时也是孔庙祭祀音乐能够在湖湘地区传承、繁衍的基础条件。
A Study on the Sacrificial Rites and Music Use of the Confucius Temple of Hunan Province in the Qing Dynasty
The sacrificial ceremony in the Confucius Temple is a kind of sacrificial activity for interpre-tating the traditional culture represented by Confucianism and thoughts of the sages represented by Confu-cius.In the activities of sacrificial rites,the ritual and folk music threaded through the whole process of the ceremony.The music is actually composed for the special occasion,with obvious characteristics of the dancing music.In the Qing Dynasty,the two major musical systems in these sacrificial rites are dominant in the other provincial Confucius Temples and those in Qufu of Shandong province.Due to the popularity of the music and the perfection of the program,the sacrificial rites and folk music in the Confucius Tem-ples in the region of Hunan province played an important role in the Chinese musical history.The sacrifi-cial rites and music use of the Confucius Temple of Hunan Province in the Qing Dynasty Confucius had the characteristics of the dancing music in contents.It experienced the different stages from rising to fall-ing,that is,choosing,developing,losing and regaining.Though the ancient system of original melody is hard to be traced back,the use of music in sacrificial ceremony had influenced the local music,which formed a good base of the heritage of the music in this area.

the Qing DynastyHunan provincedancing music in sacrificial ceremonyform and ex-pressionvalues

熊晓辉

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湖南科技大学,湖南湘潭 411201

清代 湖湘地区 祭孔歌乐 表现形式 价值

湖南省哲学社会科学基金重大项目"学术湖南"精品培育项目

20ZDAJ006

2024

四川民族学院学报
四川民族学院

四川民族学院学报

CHSSCD
影响因子:0.18
ISSN:1674-8824
年,卷(期):2024.33(1)
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