In ancient iconographic representations,shentu-yulei is frequently depicted as a towering figure wielding a variety of objects,including weisuo(reed rope),peach wood,as well as weapons like knives or axes.In the Chuan-Yu and Henan region,the reed rope iconography is often found in proximity to stone gates,while in Henan,tomb gates frequently feature depictions of warriors brandishing yue-axes or knives alongside fierce tigers.The author posits that such iconography likely emerged under the influence of the shentu-yulei belief system,aimed at warding off malevolent spirits.This practice appears to have strong connections with Nuo opera rituals designed to expel plagues,perhaps serving as a central component of such ceremonies.The ancient Nuo ritual,integral not only to safeguarding living communities from evil forces but also guiding the departed,may have utilized these iconographic representations in burial contexts to protect and accompany the deceased on their journey to the afterlife,known as Donghai.
关键词
汉代/神荼郁垒/桃木/苇索/驱鬼辟邪/东海信仰
Key words
Han period/Shentu-Yulei/Peach wood/Weisuo(reed rope)/Exorcism/Donghai belief
维普
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