首页|舞台演出《诗路风雅颂》声音设计

舞台演出《诗路风雅颂》声音设计

Sound Design of the Stage Performance《Feng Ya Song of Poetry》

扫码查看
本文根据创作团队的要求,对声音现场呈现方面进行艺术加工和创作;在打破剧场常规镜框式舞台上下观演关系的演出中,用多点布置音箱的方式重构声场,实现声音的540°全方位覆盖;依靠强大的数字音频处理服务器,通过基于音频轨道和基于对象2种处理方式,实现声音在方向、响度、音色等方面的动态变化,给观众以身临其境的沉浸式观演感受.
To meet the requirements of the production team,the artistic process and creation of the live presentation of the sound,as well as the reconstruction of the sound field by means of multi-point arrangement of speakers in performances that break the normal proscenium of the theatre,to achieve 540° full coverage of sound,relying on a powerful digital audio processing server,through audio-based track and object-based two processing methods,to realize the dynamic change of sound in direction,loudness and timbre,the audience can experience the immersive performance.

sound fieldmulti-channel surroundsound effecttrack-basedobject-based

黄德聪、王芳、裴楠、江腾皓

展开 >

浙江艺术职业学院,杭州 310053

声场 多声道环绕 音效 基于轨道 基于对象

浙江艺术职业学院2021年青年教师科研团队培育项目

QNTD20210006

2024

科技通报
浙江省科学技术协会

科技通报

CSTPCDCHSSCD
影响因子:0.457
ISSN:1001-7119
年,卷(期):2024.40(1)
  • 3