首页|舞台演出《诗路风雅颂》声音设计

舞台演出《诗路风雅颂》声音设计

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本文根据创作团队的要求,对声音现场呈现方面进行艺术加工和创作;在打破剧场常规镜框式舞台上下观演关系的演出中,用多点布置音箱的方式重构声场,实现声音的540°全方位覆盖;依靠强大的数字音频处理服务器,通过基于音频轨道和基于对象2种处理方式,实现声音在方向、响度、音色等方面的动态变化,给观众以身临其境的沉浸式观演感受.
Sound Design of the Stage Performance《Feng Ya Song of Poetry》
To meet the requirements of the production team,the artistic process and creation of the live presentation of the sound,as well as the reconstruction of the sound field by means of multi-point arrangement of speakers in performances that break the normal proscenium of the theatre,to achieve 540° full coverage of sound,relying on a powerful digital audio processing server,through audio-based track and object-based two processing methods,to realize the dynamic change of sound in direction,loudness and timbre,the audience can experience the immersive performance.

sound fieldmulti-channel surroundsound effecttrack-basedobject-based

黄德聪、王芳、裴楠、江腾皓

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浙江艺术职业学院,杭州 310053

声场 多声道环绕 音效 基于轨道 基于对象

浙江艺术职业学院2021年青年教师科研团队培育项目

QNTD20210006

2024

科技通报
浙江省科学技术协会

科技通报

CSTPCDCHSSCD
影响因子:0.457
ISSN:1001-7119
年,卷(期):2024.40(1)
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