摘要
李旦初对当代散曲创作的探索表现在两个方面:一是其提出的"新散曲"概念认为,凡当代作者创作的反映现代生活的散曲,包括按传统曲律和不严格按传统曲律写的自由曲、自度曲、仿古曲,均应统一称之为"新散曲";二是其对"新散曲"创作审美诸维度包括审美宏观、审美微观、审美导向、审美辩证作了可贵的系统探索.李旦初"新散曲"创作曾获中华诗词学会首届"华夏诗词奖"二等奖和第二届"华夏诗词奖"一等奖.其"新散曲"创作理论与实践成就被写入中华诗词杂志社编辑出版的《当代诗词史》,实现了其"入史"的宏愿.
Abstract
Li Danchu's exploration of the creation of contemporary Sanqu is manifested in two aspects.First,he pro-posed the concept of"New Sanqu",which holds that all the Sanqu opera works created by contemporary authors re-flecting modern life including free Sanqu,self-prescribed Sanqu and antique Sanqu,written either according to the traditional melody or not strictly according to the traditional melody,should be uniformly called"New Sanqu".Sec-ond,it makes a valuable systematic exploration on the aesthetic dimensions of"New Sanqu",including the macro aesthetic,micro aesthetic,aesthetic orientation and aesthetic dialectics.Li Danchu's"New Sanqu"has won the sec-ond prize of the first Huaxia Poetry Award and the first prize of the second Huaxia Poetry Award of the Chinese Shi-ci Society.His theoretical and practical achievements in the creation of"New Sanqu"have been written into the History of Contemporary Shici,edited and published by Chinese Shici Magazine,realizing his ambition of written in-to the History.
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