首页|敦煌唐写本《吴都赋》残卷校理

敦煌唐写本《吴都赋》残卷校理

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考察敦煌唐写本《吴都赋》残卷音注的来源,是拓展该帙写本研究的关键性问题.依据《艺文类聚》等现存《吴都赋》的4种音注本认为,《吴都赋》是属于有音注的文本.这些音注由李善、五臣等注家予以继承或因袭.通过审视《吴都赋》残卷里的3处音注,有理由相信它们并不见得来自残卷的抄者或圈点者.这意味着音注研究是拓展和深化《文选》文献学研究的新路径,此件残卷的校理为此提供了典型个案.
Collation of Fragmentary Volume of Dunhuang Tang Manuscript Wudu Fu(吴都赋)
To investigate the source of the phonetic notations of the fragmentary volume of Dunhuang Tang manuscript Wudu Fu(吴都赋)is a key issue for expanding the research of this manuscript.According to the four phonetic notations of Wudu Fu(吴都赋)in Yiwen Leiju(艺文类聚),it is believed that Wudu Fu(吴都赋)be-longs to a text with phonetic notations,which are inherited by annotators such as Li Shan(李善)and Wu Chen(五臣).By examining the three phonetic notations in the fragmentary volume of Wudu Fu(吴都赋),it is reason-able to believe that they do not necessarily come from the copyists or circlers of the volume.This means that the study of phonetic notation is a new way to expand and deepen the philological study of Wen Xuan(文选),and the collation of the fragmentary volume provides a typical case for this.

Wudu Fu(吴都赋)Yiwen Leiju(艺文类聚)phonetic annotation

刘明

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中国社会科学院文学研究所,北京 100732

《吴都赋》 《艺文类聚》 音注

2024

辽东学院学报(社会科学版)
辽东学院

辽东学院学报(社会科学版)

CHSSCD
影响因子:0.262
ISSN:1672-8572
年,卷(期):2024.26(3)