摘要
金代皇家仪仗,作为仪卫体系的组成部分,依照使用场合的不同,可被细分为驾行仪仗与殿庭仪仗;根据身份地位的差异,可分为帝后仪仗、皇家子女仪仗、宗室仪仗等,其中尤以帝后卤簿、皇太子卤簿以及一些特定大礼场合所使用的仪仗规模最为盛大,具有显著的代表性.具体而言,金代皇家仪仗包括车舆、旗帜、伞扇、卤簿鼓吹和兵器等部分.熙宗至世宗时期,金代皇家仪仗在种类、数量、编排和制度等多个方面逐渐走向成熟.从整体上看,金代皇家仪仗在车舆的种类和形制、旗帜与伞扇的种类、卤簿鼓吹的乐器和编排等方面不同程度地承袭了唐制、宋制与辽制,并有所创新.这一过程充分反映了皇家仪仗的历史传承性,同时也凸显了辽金时期中华礼仪文明的多元交融与持续发展.
Abstract
The royal Faiidan of the Jin Dynasty constituted an essential component of ceremonial guards.De-pending on the context,it can be categorized into Driving Faiidan and Palace Faiidan.At the same time,the Faiidan varied by rank,including those for empresses,royal offsprings,and the imperial clan.Nota-bly,the Lubu of the emperor and queen,the prince's Lubu,and the Faiidan utilized in certain ceremonies were the most magnificent and emblematic.The Jin Dynasty's royal Faiidan encompassed an array of ele-ments such as vehicles,flags,umbrellas,fans,drum wind instruments in Lubu,and weaponry and so on.From Emperor Xizong to Emperor Shizong,the royal Faiidan witnessed a gradual refinement in classifica-tion,quantity,formation and institutionalization.On the whole,it selectively inherited and innovated upon the precedents set by the Tang,Song,and Liao dynasties concerning vehicle types and configurations,flag,umbrella,and fan varieties,as well as the esteemed inclusion and orchestration of drum wind music within the Lubu.These processes not only underscored the historical continuity of the royal Faiidan but al-so mirrored the multifaceted assimilation and enduring advancement of China's ritualistic civilization throughout the Liao and Jin periods.
维普
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