Since the establishment of the People's Republic of China,the construction of female images in mainstream domestic films have been generally undergone a transformation from a flat"tool person"to a three-dimensional"existence".The"three carriages"of the main theme,commercial presentation,and ar-tistic expression in new mainstream films have given new meanings to the construction of female images and the expression of gender relations.Analyze the shaping and writing of female images in recent main-stream film and television works such as Home Coming,Leap,My Country My Parents from three as-pects:stepping out of the"gaze and imagination situation","neglect and aphasia dilemma",and"Mulan style situation",exploring the improvement of female images in practical paths and optimization of con-struction strategies in new mainstream films.Let female characters become more bearers of mainstream ideology in future new mainstream films,and open up a healthier and diversified development path for Chi-nese new mainstream films with an independent and equal attitude.
关键词
新主流电影/女性形象/女性主体意识/女性主义电影理论
Key words
new mainstream film/female image/female subject consciousness/feminist film theory
维普
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