辽宁师范大学学报(社会科学版)2024,Vol.47Issue(6) :88-95.DOI:10.16216/j.cnki.lsxbwk.202406088

体认诗学视角下文学的体验性

On embodiedness from the perspective of embodied-cognitive poetics

王卉 姚振军
辽宁师范大学学报(社会科学版)2024,Vol.47Issue(6) :88-95.DOI:10.16216/j.cnki.lsxbwk.202406088

体认诗学视角下文学的体验性

On embodiedness from the perspective of embodied-cognitive poetics

王卉 1姚振军1
扫码查看

作者信息

  • 1. 湖州师范学院外国语学院,浙江湖州 313000
  • 折叠

摘要

体认诗学的"体"字可以做两方面理解,其一是文学作品的具身性,其二是阅读过程的体验性,两者的发端都是人类的身体性.从梅洛-庞蒂知觉现象学的视角来看,人类的身体既非纯粹的物质,也非纯粹的精神,是两者相互融合统一的存在,并且是意义产生的场所.首先,这种身心合一的思想在文学作品中多有体现.一方面,文学作品通常以感官的途径来触及人类的心灵和精神;另一方面,身体与身份的互动也经常体现在文学之中.这是文学的具身性.其次,文学作品以创造性的语言将读者带入一个感知的过程和体验的世界,并且以情感为媒介参与到作品之中.这是文学阅读的体验性.由此,文学的创作和阅读两端都具有鲜明的具身性和体验性特点.

Abstract

The embodiedness in embodied-cognitive poetics can be understood in two aspects:the embodied nature of literary works and the experiential nature of the reading process,both of which originate from the human body.From the perspective of Merleau-Ponty's phenomenology of perception,the human body is neither purely material nor purely spiritual,but rather a fusion and unity of the two,and it is the place where meaning arises.Firstly,this idea of physical and mental unity is often reflected in literary works.On the one hand,literary works usually touch the human soul and spirit through sensory means;on the other hand,the interaction between body and identity is often reflected in literature.This is the embodiedness of literature.Secondly,literary works bring readers into a world of perception and experience through creative language,and involve them in the work with emotion as media.This is the experiential nature of literary reading.Therefore,both the creation and reading of literature have distinct embodied and experi-ential characteristics.

关键词

体认诗学/具身性/体验性

Key words

embodied-cognitive poetics/embodiment/experience

引用本文复制引用

出版年

2024
辽宁师范大学学报(社会科学版)
辽宁师范大学

辽宁师范大学学报(社会科学版)

CHSSCD
影响因子:0.736
ISSN:1000-1751
段落导航相关论文