台湾话剧《暗恋桃花源》的存在主义蕴涵
On the Existentialist Implication of Taiwan's Drama Secret Love in Peach Blossom Land
张剑1
作者信息
- 1. 洛阳师范学院 文学院,河南 洛阳 471022
- 折叠
摘要
台湾话剧《暗恋桃花源》的主题与意义生成与二战后兴起的存在主义与当下的种种后现代主义思潮密切相关,表现在三个方面:一是在显性故事层面上,通过两段情感展现人类的爱情困境、迷失与寻找;二是在生命意识与存在意识层面揭示世界的荒诞、人类对日常生活的厌烦、异己感与死亡意识;三是以"元话剧"的形式对后现代语境下话剧艺术的困境、话剧与生活的关系进行了重新思考.
Abstract
The theme and significance of the Taiwan's drama Secret Love in Peach Blossom Land are closely related to the exis-tentialism that emerged after World War Ⅱ and various postmodern trends of thought at present,which are manifested in three as-pects.First,at the level of explicit storytelling,the drama shows the human's plight,loss,and search for love through two emo-tions;Second,it reveals the absurdity of the world,human's boredom with daily life,sense of dissidence,and consciousness of death at the level of life consciousness and existence consciousness;Third,the dilemma of drama art and the relationship between the drama and life in the postmodern context are rethought in the form of"meta drama".
关键词
《暗恋桃花源》/存在主义/后现代主义/元戏剧Key words
Secret Love in Peach Blossom Land/existentialism/postmodernism/meta drama引用本文复制引用
基金项目
国家艺术基金传播交流推广资助项目(2018-A-03-185-0529)
河南省"中原千人计划——哲学与社会科学青年拔尖人才"(ZYQR20180173)
出版年
2024
NETL
NSTL
万方数据