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《声声慢》词调与声情

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《声声慢》在宋代存 84 调,以平韵居多.晁补之的《胜胜慢》延续了章楶双调六十六字《声声令》的主题和声情特点,是《声声令》至《声声慢》词调发展过程中的关键.张阁是第一位使用《声声慢》词调名称的词人,《胜胜慢》和《声声慢》属于同调异名.《声声慢》词调沿着晚唐五代花间词的相思离情主题,其声情在词的韵律、题材和词人风格的影响下由早期的缠绵宛转发展出悲咽、欢乐、风流蕴藉、悲壮与清空等丰富的特征.
The Tune and Voice Emotion of"Slow Slow Tune"
"Slow Slow Tune"from the Song Dynasty has 84 tunes,mostly with flat rhyme."Sheng Sheng Man"by Chao Buzhi continues the theme and vocal characteristics of Zhang Jie's"Sheng Sheng Ling"with dual tones and 66 characters,serving as a key point in the development from"Sheng Sheng Ling"to"Sheng Sheng Man".Zhang Ge was the first poet to use the tone name of"Slow Slow Tune"."Sheng Sheng Man"and"Slow Slow Tune"are homonyms.The tone of"Slow Slow Tune"follows the theme of lovesickness and separation of Hua Jian Ci of the late Tang Dynasty and the Five Dynasties.Its vocal expression,in-fluenced by the rhyme,themes,and styles of the poets,has evolved from the early tender and graceful style to a richer character encompassing sorrowful sobbing,joyfulness,elegant charm,solemn grandeur,and serene emptiness.

"Slow Slow Tune"tunevoice emotionevolvement

王忠丽

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兰州大学 文学院,甘肃 兰州 730000

《声声慢》 词调 声情 流变

2024

乐山师范学院学报
乐山师范学院

乐山师范学院学报

影响因子:0.205
ISSN:1009-8666
年,卷(期):2024.39(6)
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