Times and Changes:Cultural Context and Imitation Mechanism of Jiang Zong's Poem Wanzhuan Ge
As the longest seven-character Yuefu in the history of poetry,Jiang Zong's Wanzhuan Ge(about the sadness of parting)has attracted much attention from researchers.However,opinions on the interpretation of its theme vary,and the internal mechanism of its imitation of Yuefu's creation has also been ignored.Jiang Zong's poem,different from those with general erotic themes,has an intertextual relationship with the court theme,integrating the real and personalized experience in the court in the era of Chen Houzhu(553-604 AD).In the application of the title composing method,Jiang is different from those who generally make a direct and shallow connection between the title and the intended writing,but establishes a connection mechanism based on the consistency of lyricism and artistic conception,which enriches the writing practice in the imitation of Yuefu poetry.
Jiang ZongWanzhuan Gecourt cultureintertextualityimitation of Yuefu poetry
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