摘要
《诗经》经历礼坏乐崩的过程逐渐走向了文本化,其文本化也成为如今的文化共识,却缺少对该现象的具体例证.或仅在其他研究中提及寥寥数笔,并且未能与之联系起孔子的"兴诗"说.实际上,"兴诗"的提出是为了解决《诗经》文本化的问题,对文本化《诗经》进行感兴、兴发,以恢复其可咏唱的特性,利于礼乐制度的复兴.结合两者发现,孔子"兴诗"之"兴"除了"感兴"之义,还有"复兴"之解.孔子"兴诗"也产生了巨大的作用,不仅辅助礼乐制度的恢复,还原《诗经》的诗乐原貌,进而传承《诗经》,更重要的是培育了情志(乐感),以便触动人的心性,实现经典与儒家君子的融通.
Abstract
The Book of Songs has gradually moved towards textualization through the process of the decline of rites and music,a phenomenon that has now become a cultural consensus but lacks concrete exemplification.Only a few references have been made in other studies,and Confucius'theory of"Xing Shi"(inspiration and revival of poems)has not been linked to it.The proposal of"Xing Shi"is to solve the textualization of The Book of Songs,and to restore its characteristic of being singable,thereby facilitating the rejuvenation of the rites and music system.By examining both,it becomes evident that the Confucius'"Xing"in"Xing Shi"has both the meaning of inspiration and the meaning of revival.Confucius'"Xing Shi"has had profound effects,assisting in the restoration of rites and music and restoring the original poetic and musical form of The Book of Songs,thereby preserving its legacy.More importantly,it cultivates the music sense in order to touch people's hearts and achieve the harmony between classics and Confucian gentlemen..
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