Compared to the actual living space,the deputy space is an important carrier for literati of Song Dynasty to express their geographical aspirations and emotional memories.The deputy space can be traced to Li Sao and The Book of Songs.Before Su Shi,the deputy space had not become the mainstream of literature and existed in specific themes.The deputy space occupies a certain proportion in Su Shi's poetry.Writing about one place while being in another,memories from a specific time and place are integrated into the feelings experienced in the current residence.This approach aids in understanding the poet's emotional psychology and the transformation of his literary style,forming an"intertextual self,"which has a self-referential nature.There are three spaces in Su Shi's poetry that are worth our attention,namely the Hangzhou memory with the feeling of the West Lake as the core,the Bianjing memory with the experience of Xining in court as the basic core,and the landscape of other people's houses depicted by Su Shi.The relevant deputy space reflects the poet's thinking and decision-making between entering and retiring,embodying the contemplation of the destination of life,with the significance of spiritual space.Especially during Su Shi's four tenure in the capital and two in Hangzhou,the relevant texts formed a psychological group of different time texts,and the emotional mainline that runs through it is the gradual decline in the pursuit of fame.The deputy space is something we need to pay special attention to when studying Su Shi and poetry of the Song Dynasty from the perspective of literary geography,providing a new feasible perspective for the transformation of the Tang and Song dynasties and a certain foundation for the generation of intertextual space..
Su Shithe deputy spacepsychological group of different time textsthe transformation of Tang and Song dynastiesintertextual space
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