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从学堂乐歌看清末民初中国音乐教育思想争鸣

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学堂乐歌是中国近代新式学堂音乐教育实践的产物,也是清末民初我国音乐教育思想的集中体现.学堂乐歌的创作者大多都是海外留学归来的音乐教育家,他们以乐歌这种体裁形式向世人传达着对我国近代音乐教育的理解.乐歌作为新式学堂中规定教授的内容,是我国近代音乐教育发展的源头.新式学堂中乐歌课的开设,打破了此前儒家"礼乐"主宰我国音乐教育思想的局面.在学堂乐歌盛行的大环境下,我国近代音乐教育思想日趋丰富,完成了从满足统治阶级要求到满足社会发展要求的价值取向的转变.
On the Controversy of Chinese Music Education Thought in the Late Qing Dynasty and Early Republic of China from the Perspective of School Music Songs
School music is the product of the practice of modern school music education in China,and it is also the concentrated embodiment of the music education thought in the late Qing Dynasty and the early Republic of China.Most of the creators of school songs are music educators who have returned from overseas study.They convey their understanding of modern music education to the world in the form of music songs.Music and song,as the content stipulated in the modern school,is the source of the development of modern music education in our country.The opening of"music and song class"in modern school broke the situation that Confucian"rites and music"dominated our music education thought before.Under the prevailing environment of school music and song,the thoughts of modern music education in our country are increasingly rich,and the value orientation has changed from satisfying the requirements of the ruling class to satisfying the requirements of social development.

school musicmusic education thoughtthe late Qing Dynasty and the early Republic of China

胡思其

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南京师范大学音乐学院,江苏南京 210097

学堂乐歌 音乐教育思想 清末民初

2024

连云港师范高等专科学校学报
连云港师范高等专科学校

连云港师范高等专科学校学报

影响因子:0.18
ISSN:1009-7740
年,卷(期):2024.41(3)