创意写作何以受阻——由《受戒》引发的创意写作中国化思考
Why Creative Writing Is Hindered:A Case Study of Sinicization of Creative Writing Triggered by The Ordination
薛梅1
作者信息
- 1. 广东外语外贸大学南国商学院 华南符号学研究中心,广东 广州 510545
- 折叠
摘要
西方创意写作引入中国后发展迅速,但其理论与技巧却难以解释以《受戒》为代表的具有浓郁中国风格的文学作品.因为西方创意写作是"语象分离"式思维,而我国向来有"语象融合"式写作传统.我们要推进创意写作中国化,就必须直面这一差异,在总结中国文学文本书写成规与范式的基础上确立自身主体性,并以此为优势,为讲好中国故事、推进多模态写作等建构方法论.
Abstract
Western creative writing has developed rapidly since its entry into China,but it is difficult for us to use its theories and techniques to explain literary works with strong Chinese style,such as The Ordination.Because western creative writing is a separation of language and image thinking,while China has always had a tradition of language and image fusion writing.If we want to promote the sinicization of creative writing,we must face up to this difference,establish our own subjectivity by summarizing the rules and paradigms of chinese literary text writing,and take this advantage to construct methodologies for telling Chinese stories and promoting multimodal writing.
关键词
创意写作/《受戒》/语象融合Key words
creative writing/The Ordination/fusion of language and image引用本文复制引用
出版年
2024
NETL
NSTL
万方数据