首页|人类艺术表达的心灵史——基于认知人类学而有的差异性与共同性理解的新观察

人类艺术表达的心灵史——基于认知人类学而有的差异性与共同性理解的新观察

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我们在寻求对艺术存在的理解时,真正需要注意到的是人在创造艺术之时,其心灵发展史的根基或基础.曾经的历史观可以在一种编年史意义上的坐标系模式与结构化理解模式中寻找到各自的解释空间,但如果真正能够从人类的心灵史入手,显然还可以有第三种历史理解,这就是基于人的认知能力而有的映射与投射机制之间相互转化作用的形态发生.这种相互作用,从根本性意义上而言便是一种映射与投射之间的连锁转换,而人自身的能动性存在会在这个转换过程中发挥独特作用.这其中,同样也要面对所谓共同性与差异性的辩证关系.
The History of the Mind in Human Artistic Expression:A New Perspective on Divergence and Universality Based on Cognitive Anthropology
In seeking to understand the existence of art,it is essential to consider the foundational basis of the human mind's historical development during artistic creation.Traditional historical perspectives can find their explanatory scope within the frameworks of chronological coordinates or structured interpretative models.However,if one truly begins from the history of the human mind,a third mode of historical understanding emerges,one that focuses on the morphogenesis of the interaction between the mechanisms of mapping and projection inherent in human cognitive capabilities.This interaction,at its core,represents a chained transformation between mapping and projection.Human agency plays a distinctive role in this transformative process.Within this context,it is also necessary to engage with the dialectical relationship between universality and divergence.

history of the mindartmappingprojectionuniversality

赵旭东

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中国人民大学人类学研究所 北京 100872

心灵史 艺术 映射 投射 共同性

2025

民俗研究
山东大学

民俗研究

北大核心
影响因子:0.69
ISSN:1002-4360
年,卷(期):2025.(1)