首页|"民族形式"的非遗创作实践——以中国木偶艺术剧院为例

"民族形式"的非遗创作实践——以中国木偶艺术剧院为例

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将地方民俗转换为"中国形式文艺"的形态在国际艺术舞台上展示,是国家对外文化交流的需要,也是国际文旅市场的新需求.中国木偶艺术剧院长期肩负该任务,自1955年以来累计有 200余名全国各地民间木偶戏传人在这里探索能在世界舞台上演出的中国木偶戏.中国木偶艺术剧院在不同时期对"地方民俗"和"中国形式文艺"概念的理解和展演有着明显差异,相应的实践则可归纳为"创造中国木偶剧""市场运营中国木偶剧"和"形成'院馆合一'模式"这三个发展阶段,最终探索出具有"现代的观剧体验""传统的表演形式""融合的表达方式""丰富的形式拓展"等四大特质的当代"中国形式"大型木偶剧.
The Practice of Intangible Cultural Heritage Creation in"National Form":Taking the China Puppet Art Theatre as an Example
Promoting Chinese local folk art in the form of the Chinese"national form"on the world stage is not only necessary for the country's external propaganda work,but also necessary for the international cultural and tourism market.The China Puppet Art Theatre is a literary and artistic troupe that shoulders the above-mentioned propaganda tasks.Since 1955,more than 200 inheritors of folk puppetry from all over the country have explored and jointly created"Chinese style"puppetry that can be performed on the world stage.By examining the creative achievements of the theater,it can be seen that there are significant differences in the display of the concepts of"Chinese national art","local folk art"in different period which can be summarized into three stages:creating Chinese puppetry,market operation of Chinese puppetry,and returning to intangible cultural heritage puppetry.Moreover,in order to transform"local folk art"into"Chinese form"works,the theater has explored a large-scale puppet show model,which has four dimensions of characteristics:"modern experience","traditional performance form","integrated expression method",and"various forms of expansion".

large-scale puppet shownational formChinese formintangible cultural heritagethe China Puppet Show Theatre

王臻真

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北京语言大学 北京 100083

大型木偶剧 "民族形式" "中国形式" 非物质文化遗产 中国木偶艺术剧院

2025

民俗研究
山东大学

民俗研究

北大核心
影响因子:0.69
ISSN:1002-4360
年,卷(期):2025.(1)