摘要
《紫钗记》是汤显祖“临川四梦”的第一梦，是他传奇创作步入成熟期的开始，也是作者借戏曲创作弘扬其“至情”之论的先声。本文是《紫钗记》评注的一部分，从其对唐传奇《霍小玉传》的改编入手，着重探讨该戏在人物形象塑造上取得的成就，兼及其思想和艺术上的成就与局限。
Abstract
The Purple Hairpin constitutes the first "dream" of Tang Xianzu's "Four Dreams of Linchuan". It marked the beginning of the mature period of his playwriting, and was an early attempt by him to advocate through playwriting his theory that "emotion is the ultimate thing". As part of our introduction to and critical notes on The Purple Hairpin, this paper starts with an examination of Tang Xianzu's reworking of the chuanqi story "Life of Huo Xiaoyu" from the Tang Dynasty, focusing on his achievements in this play in developing its characters, but also discusses the intellectual and artistic achievements and limitations of the play.
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