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《秋夜》的对话诗学探微

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鲁迅在《秋夜》一文中,构建了处于矛盾漩涡中心的主人公"我",并以"我"为基点塑造了一个具有丰富象征含义的形象世界.枣树、小飞虫等形象的内部与外部承载着主人公意识与作者意识、酒神与日神的对峙与对话.文本在结构上分为园中之景和屋内之景两个部分,在两个部分所形成的对话关系下,鲁迅通过纷繁复杂的形象话语完成对生命哲学的观照与反思.《秋夜》乃至《野草》因作品在对话中呈现的未完成性、开放性而散发着永恒、耀眼的艺术魅力.
An exploration of dialogue poetics in Autumn Night
In his article Autumn Night,Lu Xun constructed the protagonist"I"at the center of a contradictory vortex,and based on"I",he created a vivid world with rich symbolic meanings.The internal and external images of"jujube trees"and"little flying insects"carry the protagonist's consciousness and the author's consciousness,as well as the confrontation and dialogue between God of Wine and God of Sun.The text is divided into two parts in terms of structure:the scenery in the garden and the scenery inside the house.Under the dialogue relationship formed by these two parts,Lu Xun completed his care and reflection on the philosophy of life through complex and vivid language.Autumn Night and even Wild Grass exude eternal and dazzling artistic charm due to the incompleteness and openness presented in the dialogue of the works.

Lu XunAutumn Nightdialogue poeticsGod of Wine and God of Sun

王星皓

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福建师范大学 文学院,福州 350007

鲁迅 《秋夜》 对话诗学 酒神与日神

2024

闽西职业技术学院学报
闽西职业技术学院

闽西职业技术学院学报

影响因子:0.314
ISSN:1673-4823
年,卷(期):2024.26(4)