美育学刊2024,Vol.15Issue(1) :75-82.DOI:10.20073/j.cnki.2095-0012.2024.01.010

理学与北宋绘画中的形、理、真

Neo-Confucianism and the Appearance,Principle(Li),and Authenticity in Northern Song Dynasty Painting

皮佳佳
美育学刊2024,Vol.15Issue(1) :75-82.DOI:10.20073/j.cnki.2095-0012.2024.01.010

理学与北宋绘画中的形、理、真

Neo-Confucianism and the Appearance,Principle(Li),and Authenticity in Northern Song Dynasty Painting

皮佳佳1
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作者信息

  • 1. 广州美术学院美育研究中心,广东广州 510006
  • 折叠

摘要

受理学思想影响,北宋绘画在美学理论和实践中出现了"尚理"之风.艺术家把穷理作为观物的前提,力求在绘画中超越表面形似,在纷繁物象中把握事物内在的规律和物理,并上升至天地生成之道,将事物看作宇宙造化的部分,致力在自然整全性中表现事物的蔚然生意.同时艺术家也要随造化而动,以自我之天性贯通万物之天性,打通"造化"与"心源",映现出物象的真性.

Abstract

Influenced by the Neo-Confucianism,the painting of the Northern Song Dynasty developed a trend of"advocating Principle(Li)"in both aesthetic theory and practice.Artists took the concept of investigating Principle(Li)as a prerequi-site for viewing objects,striving to transcend surface resemblance in their paintings,grasped the inherent laws and physics of things in the multitude of objects,and ascended to the way of creation of heaven and earth,viewing things as part of the uni-verse's creation.They were committed to expressing the natural business of things in the entirety of nature.At the same time,artists should also move with creation,integrated their own nature into the nature of all things,connected the"crea-tion"and"source of mind",and reflected the authenticity of objects.

关键词

北宋/理学/绘画///

Key words

the Northern Song Dynasty/Neo-Confucianism/painting/appearance/Principle(Li)/authenticity

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基金项目

广州美术学院校级科研项目(23XSC36)

出版年

2024
美育学刊
杭州师范大学

美育学刊

CHSSCD
影响因子:0.234
ISSN:2095-0012
参考文献量27
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