美育学刊2024,Vol.15Issue(3) :106-111.DOI:10.20073/j.cnki.2095-0012.2024.03.013

何以为"超"?对韩炳哲"超文化"的批判考察

What is"Hyper"?—A Critique of Byung-Chul Han's"Hyper-culture"

罗枭
美育学刊2024,Vol.15Issue(3) :106-111.DOI:10.20073/j.cnki.2095-0012.2024.03.013

何以为"超"?对韩炳哲"超文化"的批判考察

What is"Hyper"?—A Critique of Byung-Chul Han's"Hyper-culture"

罗枭1
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作者信息

  • 1. 深圳大学人文学院,广东深圳 518060
  • 折叠

摘要

韩炳哲的"超文化"是他对当今全球化时代文化形态的判断,他认为技术与媒介的发展让"超文化"不同于过去的"间性文化""多元文化"和"跨文化",而是一种去居处、非在地、无边界、去实事性、不限时空并且加速集聚的新文化.但是,韩炳哲的"超文化"存在更侧重于哲学愿景而非现实文化形态考察的倾向,在消解文化光晕的同时,构造了理想的"超文化旅行者",却忽视了具体的人才是文化缔造者和受众.韩炳哲的后续思想,以精神政治替代行动政治,从外在突围到心灵内转则可视为"超文化"愿景的无奈退守.

Abstract

Byung-Chul Han's"hyper-culture"is his judgment of the cultural form in the era of globalization.He believes that the development of technology and media has made"hyper-culture"different from the"interculture","multiculture"and"trans-culture"of the past.It is a new culture characterized by its de-located,de-sited,unbound,de-facticized,tempo-rally and spatially unrestricted,and accelerated accumulation features.However,Byung-Chul Han's"hyper-culture"tends to prioritize philosophical vision over the investigation of real culture.While he de-auratizes the culture,he constructs an i-dealized image of the"hyper-cultural tourist",overlooking the concrete role of individuals as both creators and consumers of culture.Byung-Chul Han's subsequent ideological evolution,replacing action politics with spiritual politics,shifting from external breakthroughs to inner spiritual transformation,can be seen as a reluctant retreat of the"hyper-culture"vision.

关键词

韩炳哲/超文化/全球化/当代

Key words

Byung-Chul Han/hyper-culture/globalization/contemporary

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出版年

2024
美育学刊
杭州师范大学

美育学刊

CHSSCD
影响因子:0.234
ISSN:2095-0012
参考文献量5
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