Byung-Chul Han's"hyper-culture"is his judgment of the cultural form in the era of globalization.He believes that the development of technology and media has made"hyper-culture"different from the"interculture","multiculture"and"trans-culture"of the past.It is a new culture characterized by its de-located,de-sited,unbound,de-facticized,tempo-rally and spatially unrestricted,and accelerated accumulation features.However,Byung-Chul Han's"hyper-culture"tends to prioritize philosophical vision over the investigation of real culture.While he de-auratizes the culture,he constructs an i-dealized image of the"hyper-cultural tourist",overlooking the concrete role of individuals as both creators and consumers of culture.Byung-Chul Han's subsequent ideological evolution,replacing action politics with spiritual politics,shifting from external breakthroughs to inner spiritual transformation,can be seen as a reluctant retreat of the"hyper-culture"vision.