"Wen"and"Zhi"are a pair of important categories in Chinese classical aesthetics,which originated in the pre-Qin period and continuously expanded their connotations in subsequent discussions.Initially applied in the field of social eth-ics,the theories on"Wen"and"Zhi"have expanded to historical,literary,and aesthetic domains,becoming a significant theoretical resource that influenced Chinese ideology and culture.The mutual rescue between"Wen"and"Zhi"reflects an important pattern in the evolution of Chinese dynasties.In different eras,there is a constant development in the interaction and harmonization between"Wen"and"Zhi".Tao Yuanming lived in an era predominantly inclined towards"Zhi"over"Wen"in aesthetic preferences,a context that significantly influenced his creative practice.In addition,Tao Yuanming's personal characteristics of innocence,simplicity,a preference for seclusion and nature,and a genuine,unpretentious aesthet-ic inclination contribute to the formation of his poetic style characterized by a sparse and wild beauty,called"Shuye".The"Shuye"beauty of Tao Yuanming's artistic works has had a profound impact on later aesthetic thoughts and significantly in-fluenced the creative practice of various art genres.
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