美育学刊2024,Vol.15Issue(4) :64-70.DOI:10.20073/j.cnki.2095-0012.2024.04.009

传统书画鉴藏伦理观下的伪作及作伪者

Counterfeit Works and Their Counterfeiters Under the Ethical View of Traditional Calligraphy and Painting Collection

牛国栋
美育学刊2024,Vol.15Issue(4) :64-70.DOI:10.20073/j.cnki.2095-0012.2024.04.009

传统书画鉴藏伦理观下的伪作及作伪者

Counterfeit Works and Their Counterfeiters Under the Ethical View of Traditional Calligraphy and Painting Collection

牛国栋1
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作者信息

  • 1. 西北师范大学美术学院,甘肃兰州 730070
  • 折叠

摘要

传统书画鉴藏家之所以对伪作及其作伪者持有包容心,其一是因鉴藏之事属于"雅事",是鉴赏力和审美力的角逐,并不完全遵循商业买卖的伦理;其二是传统鉴藏家普遍擅长书画创作,易将书画审美价值置于第一位,而非真伪之客观性;其三是对审美价值的认可并不寄托于某种"恒存"或"原创性"的实体之上,而是着眼于审美价值本身.

Abstract

The reason why traditional collectors of calligraphy and painting have a tolerant attitude towards counterfeits and their counterfeiters is twofold:firstly,the act of collecting works belongs to the category of"elegant things",which is a competition between appreciation and aesthetics,and does not fully follow the ethics of commercial transactions;Secondly,traditional collectors are generally skilled in creating calligraphy and painting,and tend to prioritize the aesthetic value of cal-ligraphy and painting over the objectivity of authenticity;The third point is that the recognition of aesthetic value is not based on a certain entity of"permanence"or"originality",but rather on the aesthetic value itself.

关键词

书画鉴藏/伪作/作伪者/鉴藏伦理

Key words

calligraphy and painting collection/fake work/counterfeiters/ethics of calligraphy and painting collection

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基金项目

国家社会科学基金艺术学西部项目(20EF206)

出版年

2024
美育学刊
杭州师范大学

美育学刊

CHSSCD
影响因子:0.234
ISSN:2095-0012
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