回归姿势:技术图像时代的审美救赎之路——从本雅明、阿甘本到弗卢塞尔
Return to Gesture:The Path of Aesthetic Redemption in the Age of Technical Images——From Benjamin and Agamben to Flusser
吕南南1
作者信息
- 1. 山东大学文艺美学研究中心,山东济南 250100
- 折叠
摘要
随着摄影术的发明,人类由手工复制时代进入机械复制时代,依赖誊写的传统图像逐步让位于由算法构成的技术图像.世界由具体经验组成的三维结构进入无维的结构,人类的经验、思想和感情都面临着被技术化的危险.为了避免这种危险并追寻人类的自由,本雅明借鉴姿势中蕴含的非感知的相似性,以此回溯到人类的历史中寻回个体以及集体的历史经验;阿甘本赋予影像以动势,从而打破时空的连贯性,重新塑造新艺术的力量;弗卢塞尔则激活姿势的自由、情感和批判的力量,用以抵抗技术图像的无根基之恶.
Abstract
With the invention of photography,humans have entered the era of mechanical reproduction from the manual re-production era,and the traditional images that rely on copying have gradually given way to the technical images composed of algorithms.The world is a three-dimensional structure composed of concrete experience,and into the dimensionless struc-ture,human experience,thought and emotion are in danger of being technicalized.In order to avoid the risk and achieve freedom,Benjamin draws on the non-perceptual similarity contained in gesture to retrieve individual and collective historical experience in human history.Agamben enforces images with motive force,thus breaking the coherence of time and space and reshaping the power of new art.Flusser activates the freedom,emotion and critical power of the gesture to resist the baseless evil of the technical image.
关键词
姿势/技术时代/审美救赎/本雅明/阿甘本/弗卢塞尔Key words
gesture/age of technology/aesthetic redemption/Benjamin/Agamben/Flusser引用本文复制引用
出版年
2024
NETL
NSTL
万方数据