美育学刊2024,Vol.15Issue(6) :65-71.DOI:10.20073/j.cnki.2095-0012.2024.06.009

艺作为技与道的游戏——庄子艺术美学发微

Art as the Play of Skills and the Tao—An Exploration of Zhuangzi's Artistic Aesthetics

罗双
美育学刊2024,Vol.15Issue(6) :65-71.DOI:10.20073/j.cnki.2095-0012.2024.06.009

艺作为技与道的游戏——庄子艺术美学发微

Art as the Play of Skills and the Tao—An Exploration of Zhuangzi's Artistic Aesthetics

罗双1
扫码查看

作者信息

  • 1. 湖北美术学院时尚艺术学院,湖北武汉 430205
  • 折叠

摘要

在庄子美学中,艺一方面与技混为一谈,另一方面又寄托着道.在庄子的寓言中,工匠不仅展示了艺术的技巧,而且谈论了体道的经验.技确保艺术能够实践,道引导艺术走向自由.由于技与道的游戏,艺术虽然属于技的活动,但是像道一般运作.这样的话,艺术就远离了人为,而接近于自然.从这个意义上来说,艺术活动大巧若拙.技艺通过自身的经验,把隐蔽的道带入场中.只有作为得道者现身,工匠才称得上艺术家.

Abstract

In Zhuangzi's aesthetics,art is mixed with skills on the one hand,and on the other hand,it embodies the Tao.Likewise,craftsmen not only demonstrate artistic skills,but also discuss the experience of Tao in Zhuangzi's fables.In fact,skills ensure that art can be practiced,while the Tao guides art towards freedom.Due to the play of skills and the Tao,art operates like Dao,though it belongs to the activity of skills.As a result,art moves away from human intervention and closer to nature.In this sense,artistic activities are self-defeating,and skills bring hidden paths into the field through their own ex-perience.Only by appearing as the enlightened can craftsmen be called artists.

关键词

庄子美学////游戏

Key words

Zhuangzi's aesthetics/art/skill/Tao/play

引用本文复制引用

出版年

2024
美育学刊
杭州师范大学

美育学刊

CHSSCD
影响因子:0.234
ISSN:2095-0012
段落导航相关论文