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艺术作品本质的结构性分析——以海德格尔存在主义为路径

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海德格尔对艺术作品之本源的追问,将存在论引入了艺术本体论的命题,并用"真理的遮蔽在先"—"澄明之去蔽在后"这一结构,将艺术作品与"此在"的生命活动相互联系起来.以海德格尔存在主义为基础,分析由"此在"连接的"艺术作品的创造—艺术作品的接受"过程,讨论艺术作品形式层、内容层和意蕴层三者之间的结构关系,以及艺术作品自身的再创造活动,可进一步阐明其对艺术作品的本质之观点,从而补足海德格尔艺术哲学在历史和社会维度方面的缺失.
Structural Analysis of Essence of Artistic Works:Taking Heidegger's Existentialism as a Path
Heidegger's questioning of the origin of artistic works introduces ontology into the proposition of artistic ontology,and uses the structure of"truth masking first"-"clarity masking later"to connect artistic works with the life activities of"being".On the basis of Heidegger's existentialism,analyzing the process of"creation of art works-acceptance of art works"connected by"being",discussing the structural relationship between the formal layer,content layer,and connotation layer of art works,as well as the re creation activity of art works themselves,can further clarify their views on the essence of art works,thus filling the gap in Heidegger's artistic philosophy in terms of historical and social dimensions.

Heideggeressence of artphilosoph of artontology

冯琪琪、黎臻

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四川师范大学文学院,四川成都 610066

海德格尔 艺术本质 艺术哲学 存在论

2024

红河学院学报
红河学院

红河学院学报

影响因子:0.174
ISSN:1008-9128
年,卷(期):2024.22(5)