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从云冈石窟蕴含的民族文化交融看中华文明的突出特性

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云冈石窟是中华文明的重要组成部分,蕴含着多民族交往交流交融的历史内涵,充分体现了中华文明的突出特性.云冈石窟三个分期佛造像的面容、身形、服饰等的风格转变,是鲜卑民族文化融入汉族文化的历史事实,深刻体现了中华文明突出的连续性;云冈石窟是世界雕刻艺术史上的奇迹,是北魏佛教文化的中国化见证,深刻体现了中华文明突出的创新性;北魏拓跋政权亦以"正统"自居,并极力争夺政权合法的"正统"地位,具有走向大一统的思想,为中华大一统思想的巩固发展做出积极贡献,深刻体现了中华文明突出的统一性;云冈石窟体现了佛教文化、质朴的拓跋鲜卑文化与浓厚的汉文化的融合,是佛法依附王法的见证,是佛教与儒家、道家文化融合的表现,深刻体现了中华文明突出的包容性;云冈石窟从诞生之日起,就逐渐发挥着联系各民族的作用,成为各民族交往交流的纽带,作为各民族交往交流交融的载体,深刻体现了中华文明突出的和平性.
The Distinctive Characteristics of Chinese Civilization Shown in the Ethnic Cultural Integration of the Yungang Grottoes
The Yungang Grottoes,located in Datong City,Shanxi Province,China,are not only regarded as an important part of Chinese civiliza-tion but also a historical testament to the communi-cation,interaction,and integration of multiple eth-nic groups.Their unique artistic style and pro-found cultural connotations evidently illustrate the distinctive characteristics of Chinese civilization.Research in fact affirms that over time the three phases of Buddha statues in the Yungang Grottoes have undergone significant stylistic chan-ges in terms of facial features,physique,and at-tire.This evolution not only seems to signify an ar-tistic progression but also a historical acculturation of Xianbei culture into Han culture,highlighting the continuity of Chinese civilization as it absorbs and integrates different ethnic cultures throughout history to forge a unique cultural style.Regarded as a remarkable achievement in the history of world sculpture,it is found that the Yun-gang Grottoes exemplify Buddhism's adaptation to the Chinese context during the Northern Wei Dy-nasty,conceivably showcasing the innovative char-acteristics of Chinese civilization.Here,Buddhist art merges with traditional Chinese art to create a distinctive sculptural style;many would agree this enriches the artistic treasury of Chinese civilization and contributes significantly to global art history as well.Accounts also attest that the Northern Wei Tuoba regime regarded itself as the custodian of"orthodoxy",striving to assert a rightful and"or-thodox"political authority while promoting the concept a complete unification.This ideological stance evidently supported the endeavor of consoli-dation and development of a unified China,dem-onstrating an inherent uniformity of Chinese civili-zation.Therefore,the construction and existence of the Yungang Grottoes can be viewed both as a promotion of the Buddhist faith and an affirmation and legitimization of a unified political power in China.It can be said that the Yungang Grottoes epit-omize a synthesis of Buddhist culture,traditional Tabgatch Xianbei culture,and deep-rooted Han culture.They illustrate the interdependence of Buddhist law and royal law,as well as the integra-tion of Buddhism with Confucianism and Taoism.Concequently,this cultural blend strongly suggests an inclusiveness of Chinese civilization,apparently demonstrating an harmonious coexistence of differ-ent cultures and an open,receptive spirit of Chi-nese civilization in absorbing foreign influences.Since their inception,the Yungang Grottoes have fostered connections among various ethnic groups,serving as a conduit for interaction and ex-change.Investigations confirm that as a carrier of such inter-ethnic integration,the Yungang Grottoes significantly reflect the peaceful nature of Chinese civilization,symbolizing not only artistic expression but also the harmonious coexistence of diverse cul-tures and the important role of Chinese civilization in promoting national unity and maintaining social stability.In conclusion,the Yungang Grottoes stand as a historical site and a symbol of diversity in unity and harmonious coexistence within the Chinese civ-ilization.With its unique artistic allure and high cultural connotations,it showcases to the world the continuity,innovation,unity,inclusiveness,and peacefulness of Chinese civilization,making it an invaluable resource for the study of Chinese civili-zation.

the Yungang Grottoesethnic cultural integrationChinese civilizationdistinc-tive characteristics

张莉、寇福明

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山西大同大学,山西大同 037009

云冈石窟 民族文化交融 中华文明

2024

民族学刊
西南民族大学

民族学刊

CSSCICHSSCD北大核心
影响因子:0.235
ISSN:1674-9391
年,卷(期):2024.15(7)