首页|西方民族学博物馆的中国展陈:民国学人的域外考察与反思

西方民族学博物馆的中国展陈:民国学人的域外考察与反思

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西方民族学博物馆根植于殖民扩张运动与民族学、人类学学科的兴起.早期民族学博物馆建立后,在收藏与展示西方之外世界的所谓"他性"文化目的下,与大学、科学实验室、档案馆、图书馆等复杂机构联合体一道,成为构建布鲁诺·拉图尔所谓西方科学体系的重要组成部分.西方民族学博物馆的"野蛮"收藏与展示活动,在欧洲创造了大量非西方世界的族群想象,围绕着被"收藏"的广大亚洲、非洲、大洋洲土著知识认识论与国家形象建构之间关系,引发了不少争议.本文通过考察20世纪20年代留德学人王光祈探访德国民族学博物馆的案例,分析近代西方民族学博物馆关于中国的早期展陈及其所引发的中国知识界对于民族学博物馆知识生产方式的反思.
The Representation of China in Western Ethnology Museums:Overseas Observations and Reflections by Republican-Era Scholars
Western ethnology museums were rooted in the colonial expansion move-ment and the rise of ethnology and anthropology.The early ethnology museums were estab-lished for the purpose of collecting and displaying the so-called"otherness"of the world out-side the West.The museums,in conjunction with universities,scientific laboratories,ar-chives,libraries and other complex institutions,had become an important part of what Bru-no La Tour called the Western scientific system.The"savage"collection and exhibition ac-tivities of Western ethnology museums had created a great deal of ethnic imagination of the non-Western world in Europe.Controversies and discussions had been provoked over the re-lationship between the indigenous epistemology and the construction of national image dis-played in the"collection"of the vast Asia,Africa,and Oceania.Based on the case study of the visit to the German ethnology museums by Wang Guangqi,a scholar who studied in Ger-many in the 1920s,this paper analyzes the early representation of China in the modern West-ern ethnology museums and the reflection of Chinese intellectuals on the knowledge produc-tion mode of ethnology museum.

Western ethnology museumrepresentation of ChinaWang Guangqiart exhibition

张先清

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厦门大学社会与人类学院

西方民族学博物馆 中国展陈 王光祈 美术展览

2024

民族研究
中国社会科学院民族学与人类学研究所

民族研究

CSTPCDCSSCICHSSCD北大核心
影响因子:0.72
ISSN:0256-1891
年,卷(期):2024.(6)