民族艺林2024,Issue(1) :87-93.

《满江红》"局"与"义"之下的情动转向与精神跃升

Man Jianghong Affective Turning and Spiritual Leap Under"Bureau"and"Righteousness"

张华 李欣泽
民族艺林2024,Issue(1) :87-93.

《满江红》"局"与"义"之下的情动转向与精神跃升

Man Jianghong Affective Turning and Spiritual Leap Under"Bureau"and"Righteousness"

张华 1李欣泽1
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作者信息

  • 1. 太原师范学院 美术与影视学院,山西 晋中 030619
  • 折叠

摘要

电影《满江红》艺术性地创造并重构了南宋绍兴年间,岳飞逝世四年后的故事.在正义与邪恶两个阵营相抵牾之下,生动地塑造出被裹挟进这场巨大阴谋之中的小人物英雄群像.通过岳飞的"缺席"与精神的"在场"这一叙事策略,在风云变幻的局势与变化莫测的人性碰撞中不断寻唤起观众的情感共鸣与价值认同,在个体命运与历史洪流的钩沉中书写出新时代的家国情怀.

Abstract

The movie Man Jianghong artistically creates and reconstructs the story of Yue Fei four years after his death in Shaoxing of the Southern Song Dynasty.Under the contradiction between the two camps of justice and evil,a vivid portrayal of a group of small heroes trapped in this massive conspiracy is created.Through the narrative strategy of Yue Fei's"absence"and spiritual"presence",the audience can be stimulated to constantly seek emotional resonance and value recognition from in the ever-changing situation and unpredictable collision of human nature,and the movie also reflects a new era of patriotism in the entanglement of individual fate and historical currents.

关键词

《满江红》/情动转向/精神跃升

Key words

Man Jianghong/emotional turning/spiritual leap

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基金项目

山西省哲学社会科学规划项目(2023)(2023YY215)

出版年

2024
民族艺林

民族艺林

ISSN:
参考文献量4
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