The Spatial Construction of Urban Memory Field——Taking the Documentary Tianjin:Memories of a Bygone Era as an Example
As a documentary that carries the city's memory,Tianjin:Memories of a Bygone Era collects,selects and combines the fragmented information of history,combines the spatial and temporal view of traditional Chinese narrative with the aesthetic demands of the digital era,builds the framework of memory through the intertextualization of reality and history,and constructs the logic of memory through diversified narratives;and the participation of the subjects makes the image transcend the simple reproduction of the objective reality,and become an intentional space of"presence experience",thus creating emotional resonance for the viewers.The participation of the subject makes the image go beyond the simple reproduction of objective reality and become an intentional space with"presence experience",which makes the audience resonate with their emotions;thus,the"memory field"built by the creators can better convey the historical thickness and realistic temperature of the city.
Tianjin:Memories of a Bygone Eraurban documentaryfield of memoryspatial narrative
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