The Triple Writing of the Movie The End of the Sea is the Prairie from the Travel Perspective
The movie The End of the Sea is the Prairie is directed by Er Dongsheng and is based on the true events of Three Thousand Orphans Entering Inner Mongolia.The director narrated through the protagonist's travels,creatively interpreted the story in the form of multiple time and space reproduction,and consciously continued the ontological exploration of Chinese films through new audio-visual styles and refined film industry,so as to write the magnificent rivers and mountains of the motherland in the new image structure and construct a collective landscape identity.In the journey of searching for relatives,the protagonist's psychological wounds were bridged,his inner regrets were filled,and he built an identity with the image of the earth mother represented by the grassland and the sea,and successfully constructed a consciousness of community of the Chinese nation in the image.
The End of the Sea is the Prairietravel perspectivelandscape discoverythe consciousness of community of the Chinese nation
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