民族艺林2024,Issue(4) :101-111.

20世纪以来的士人画研究

On Scholar-official Painting since the 20th Century

聂涛
民族艺林2024,Issue(4) :101-111.

20世纪以来的士人画研究

On Scholar-official Painting since the 20th Century

聂涛1
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作者信息

  • 1. 山东石油化工学院 教育与现代媒体学院,山东 东营 257061
  • 折叠

摘要

"士人画"是伴随着士人群体对绘画实践的参与而形成、糅合了士人的审美观念与共性精神于一体的绘画样式.文章认为,21世纪之前,学术界对"士人画"概念的研究不甚清晰.学界关于"士人画"的表述,多与"文人画"混淆.文章将20世纪以来的士人画研究划分为三个阶段,分别是:士人画研究破局之前夜(1959年至1999年);士人画研究的破局(2000年至2011年);士人画研究深化期(2012年至今).

Abstract

"Scholar-official painting"is formed with the participation of scholars in the painting practice,embodying a composite style which combines the aesthetic concepts and common spiritual characteristics of scholars.This paper aims to show the fact that prior to the 21st century,the academic research on this concept is somewhat ambiguous.Further,there is a confusion between the descriptions of"scholar-official painting"and"literati painting".This paper delineated the study of scholar-official painting since the 20th century into three distinct phases:the eve of the breakthrough in scholar-official painting research(1959 to 1999);the breakthrough in scholar-official painting research(2000 to 2011);and the period of deepening in scholar-official painting research(2012 to the present).

关键词

士人画研究/士人画/文人画

Key words

study of scholar-official painting/scholar-official painting/literati painting

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出版年

2024
民族艺林

民族艺林

ISSN:
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