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粟特乐舞的本土化表现及其因素探究

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隋唐时期政治稳定,经济繁荣.前代传入的粟特乐舞在这一时期真正登上了历史舞台,西域音乐在中原大范围传播,胡腾舞、胡旋舞、柘枝舞等舞乐一体的粟特乐舞形式受到了民众的广泛欢迎.同时,隋初开皇定令,给西域音乐设定了正式身份,西域音乐也由此进入宫廷.粟特乐舞在传入华夏的过程中,势必会受到中原社会的政策、自然环境和文化氛围的影响,在不同的历史阶段,粟特乐舞也有着不同的表现形式.因此,粟特乐舞的本土化流变是一个复杂又有意义的研究内容.笔者根据目前粟特乐舞的相关资料,对粟特乐舞本土化的原因和它在不同时期的具体表现进行分析,以便更好地把握粟特乐舞的本土化情况.
On the Localization Expression and Factors of Sogdian Music and Dance
During the Sui and Tang Dynasties,there was political stability and economic prosperity.The Sogdian music and dance introduced in previous generations truly made their way onto the historical stage during this period.Western music spread widely in the Central Plains,and forms of Sogdian music and dance,such as Hu Teng dance,Hu Xuan dance,and Zhe Zhi dance,which integrated dance and music,were widely welcomed by the people.At the same time,in the early Sui Dynasty,the imperial decree was issued,which established the official status of Western music and brought it into the court.During the process of introducing Sogdian music and dance to China,it was inevitably influenced by the policies,natural environment,and cultural atmosphere of the Central Plains society.At different historical stages,Sogdian music and dance also had different forms of expression.Therefore,the localization and evolution of Sogdian music and dance is a complex and meaningful research topic.Based on the current relevant information on Sogdian music and dance,the author analyzed the reasons for the localization of Sogdian music and dance and its specific manifestations in different periods in order to better grasp the localization situation of Sogdian music and dance.

special music and dancewood soil transformationmusic image

杜俊槺

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华东师范大学 音乐学院,上海 200241

粟特乐舞 本土化 音乐图像

2024

民族艺林

民族艺林

ISSN:
年,卷(期):2024.(4)