首页|戏剧评论话语的评价维度与主体性建构

戏剧评论话语的评价维度与主体性建构

扫码查看
作为理论形态的戏剧评论话语是一个民族和国家非常重要的思想文化和思想资源.中国传统艺术批评是一个包蕴着中国人哲学、智慧及美学思想的,且具备足够生命力的思想体系,这一体系所包含的话语形态、理论观点、批评方式、批评标准是中国当代艺术批评和评论可资借鉴的宝贵资源.中国戏剧评论话语体系应从话语形态、话语生态、话语主体、知识体系、话语主导、话语受众、媒介传播、评价标准、价值理性以及实践影响十个维度进行主体性建构,做到历史和美学的统一、整体和局部的统一、传统和现代的统一.
The Assessment Dimensions and Construction of Subjectivity in Drama Review
As a theoretical form,the discourse of drama review is a very important ideological culture and re-source for a nation and a country.Traditional Chinese art criticism is a thought system with sufficient vitality that contains the philosophical wisdom and aesthetic thoughts of Chinese people.The discourse form,theo-retical viewpoints,criticism methods and criticism standards contained in this system are valuable resources for Chinese contemporary art criticism and review.The construction of subjectivity of the discourse system of Chinese drama review should be constructed in ten dimensions:discourse form,discourse ecology,discourse subject,knowledge system,discourse dominance,audienceof discourse,media dissemination,evaluation standard,value rationality,and practical influence,so as to reach the unity in terms of history and aesthet-ics,wholeness and parts,and tradition and modernity.

discourse of dramatic reviewheritage of thoughtdimension of reviewsystematic constructionChinese modernization

顾春芳

展开 >

北京大学艺术学院 北京100091

戏剧评论话语 思想遗产 评价维度 体系建构 中国式现代化

2023年度国家社科基金艺术学重大项目

23ZD07

2024

民族艺术研究
云南省民族艺术研究院

民族艺术研究

CSSCICHSSCD
影响因子:0.379
ISSN:1003-840X
年,卷(期):2024.37(4)