首页|风格、画意与画史重构——高居翰与中国艺术史研究

风格、画意与画史重构——高居翰与中国艺术史研究

扫码查看
高居翰是海外中国艺术史研究的先驱,他以"风格即观念"的假设为基础,将艺术史、社会史、思想史和文化史融为一体,开创了全新的研究范式.他强调"视觉命题",主张以图像材料分析为中心,并通过对晚明绘画的深入研究,重构了 17世纪中国绘画史,挑战了传统绘画史的局限.高居翰还将艺术置于社会史的框架之中,从社会、政治、经济等外部因素来审视艺术风格的生成机制,拓展了艺术社会史研究的新方法论.他的研究不仅拓展了中国艺术史的研究范围,也为海外中国艺术史研究提供了一个与西方自文艺复兴以来的艺术史学迥异的理论维度.
Style,Painting Flavor and the Reconstruction of Painting History:James Cahill and the Study of Chinese Art History
James Cahill is a pioneer in the study of Chinese art history overseas.Based on the assumption that"style is a concept",he has created a new research paradigm by integrating art history,social history,history of thoughts and cultural history.He emphasized the"visual proposition"and advocated the analysis of pictorial materials.Through an in-depth study of late Ming paintings,he reconstructed the history of sev-enteenth-century Chinese paintings and challenged the limitations of the traditional history of paintings.James Cahill also placed art within the framework of social history,scrutinizing the generative mechanism of artistic styles from the perspectives of social,political,economic and other external factors,openinga new methodology for the study of the social history of art.His research not only expands the scope of Chinese art history,but also provides a theoretical dimension for overseas research on Chinese art history which is quite different from that of Western art historiography since the Renaissance.

Chinese history of artJames Cahillanalysis of stylere-writing of art historymethodology

宋石磊

展开 >

北京大学美学与美育研究中心

北京大学哲学系 北京 100871

中国艺术史 高居翰 风格分析 重写艺术史 方法论

2024年度中国博士后科学基金资助项目

2024M750038

2024

民族艺术研究
云南省民族艺术研究院

民族艺术研究

CSSCICHSSCD
影响因子:0.379
ISSN:1003-840X
年,卷(期):2024.37(4)