首页|从实地到灵境——虚拟田野的边界、类型与工作方法研究

从实地到灵境——虚拟田野的边界、类型与工作方法研究

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面对数字网络多维构建的虚拟世界,田野工作从"实地"转入"灵境"。艺术人类学家以数字空间里人类的"第二生命"形态和虚拟艺术世界为研究对象,并在虚拟田野中参与、观察、体验"第二世界"里发生的人、物、事,进而对"人类有关自身的思考"展开研究。在人类的数字化生存语境中,田野的边界、身份的边界、"我者"与"他者"的边界日趋模糊,虚拟艺术人类学家只需在0和1构建的开放的数字空间里,通过"替身"的身份转化,进行交互的、实时的、沉浸的田野考察,虚拟民族志的书写范式随之发生根本性变化。
From Field to Spiritual Realm:A Study of the Boundaries,Types and Working Methods of Virtual Field
In the face of the virtual world constructed in multiple dimensions by the digital network,fieldwork has shifted from the"field"to the"spiritual realm".Art anthropologists take the"second life"of human beings in the digital space and the virtual art world as the research object,and participate in,observe and experience the people,objects and events in the"second world"in the virtual field,and then conduct re-search on"human thinking about themselves".In the context of digital existence of human beings,the boundaries of fields,identities,and the boundaries between the"I"and the"others"are becoming increas-ingly blurred,so that virtual art anthropologists only need to work in the open digital space constructed by 0 and 1,through the"substitute",to carry out interactive,real-time,and immersive field investigation.Then,the writing paradigm of virtual ethnography has been fundamentally changed.

virtual art anthropologyvirtual ethnographyvirtual fieldremote fieldimmersed field

王可、刘悦

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北京航空航天大学新媒体艺术与设计学院 北京100191

北京工业大学建筑与城市规划学院 北京 100124

虚拟艺术人类学 虚拟民族志 虚拟田野 遥在田野 沉浸田野

2024

民族艺术研究
云南省民族艺术研究院

民族艺术研究

CSSCICHSSCD
影响因子:0.379
ISSN:1003-840X
年,卷(期):2024.37(6)