首页|"摩罗"复现和"心声"再起——鲁迅早期的诗歌经验与《野草》的写作

"摩罗"复现和"心声"再起——鲁迅早期的诗歌经验与《野草》的写作

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"声"对于鲁迅的文学起源具有重要的意义.留日早期,正是注意到"诗力"与"心声"之间的有机关联,鲁迅才弃医从文,进而投入"新生"的文学事业中;五四时期,随着一种文化政治的兴起,为了唤起更多的"真的声音",一个"呐喊"的鲁迅也随之到来.可以说,"声"之探求构成了鲁迅人生展开的主要线索.如果说"呐喊"的鲁迅对应着一个外发性的启蒙自我,那么,《野草》的写作则意味着鲁迅经历了一次"声"的内转,即他通过自我内在声音的设定,完成了"心声"的找寻.在《野草》的写作过程中,鲁迅重新唤醒了早期的"心声"机制,"摩罗诗人"的重现不仅影响到了《野草》的写作方式,也参与到具体的文本构成.由此,鲁迅既重新"听得自己的心音",也完成了自我的新生,进而以一种崭新的主体姿态投入对"无声的中国"的批判中.
The Revival of"Mara Poet"and"Voice of the Heart":Lu Xun's Early Poetic Experience and His Writing of Yecao
"Sound"is of great significance to the literary origin of Lu Xun.In the early days of his stay in Japan,it was because he noticed the organic connection between"poetry"and the"voice of the heart"that Lu Xun gave up medicine to pursue literature and devoted himself to the literary cause of"pursuing a new life",in order to arouse more"true voices",a"shouting"Lu Xun also emerged.It can be said that the exploration of"sound"constitutes the main clue of the unfolding of Lu Xun's life.If the"shouting"Lu Xun corresponds to an external enlightenment self,the writing of Wild Grass(Yecao《野草》)means that Lu Xun has experienced an inward turn of the sound,that is,through the setting of his own inner voice,completed the search for the"voice of the heart".In the process of writing Wild Grass,Lu Xun reawakened the early"voice"mechanism,and the re-emergence of"the Mara poet"not only affected the writing style of Wild Grass,but also involved in the specific text for-mation.Consequently,Lu Xun not only"listened to his heart"once more but also underwent a self-renewal,subsequently engaging in the critique of the"silent China"from a fresh subjective stance.

Lu Xunvoice of the heartYecaoMara poetpoetic experience

宋夜雨

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山东大学文学院(济南250100)

鲁迅 心声 《野草》 摩罗诗人 诗歌经验

国家社会科学基金后期资助项目

23FYB043

2024

南京师大学报(社会科学版)
南京师范大学

南京师大学报(社会科学版)

CSSCICHSSCD北大核心
影响因子:0.769
ISSN:1001-4608
年,卷(期):2024.(1)
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