首页|"超文本"《繁花》的叙事奥秘与大众审美心理探析

"超文本"《繁花》的叙事奥秘与大众审美心理探析

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由王家卫执导的首部电视剧《繁花》掀起了收视热潮.其叙事奥秘在于,导演依循"超文本"结构以"读写者"的身份参与改编,以"批注式"改编完成潜在的意义生成;将"上海"这一混含着历史怀旧热与现代消费主义的城市作为叙事空间,谱写出一曲感怀黄金时代的"怀旧诗";借鉴"爽文学"的叙事模式与类型要素以契合大众的审美接受心理,将商战爽文、女性意识、导演风格、时代表述镌刻在电视剧中,消解了艺术影像的叙事沉闷与大众爽剧的粗砺单调,使其既有爽度又不失深度,兼具欣赏性与思想性的艺术统一.
Analysis of the Narrative Mystery and Popular Aesthetic Psychology of"Hypertext"Blossoms Shanghai
The first TV series"Blossoms Shanghai"directed by Wong Kar-Wai set off a ratings boom.The secret of its narrative is that the director follows the"hypertext"structure and partici-pates in the adaptation as a"wreader",completing the potential meaning generation through"anno-tative"adaptation;used"Shanghai",a city that mixes historical nostalgia and modern consumer-ism,as a narrative space to compose a"nostalgic poem"recalling the golden age.And draw lessons from the narrative mode and type elements of"Jouissance Literary"to fit the public's aesthetic ac-ceptance psychology,and engrave business war Shuang Wen,female consciousness,director style,and era expression into the TV series,dispelling the narrative dullness of artistic images and the rough monotony of popular Jouissance TV series,so that the text is full of jouissance without losing depth,and has an artistic unity of appreciation and thought.

"Blossoms Shanghai"hypertextShanghai spaceJouissance Culturefemale image

朱怡淼

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南京师范大学文学院 南京210097

《繁花》 超文本 上海空间 爽文化 女性形象

2024

南京社会科学
南京市社会科学界联合会 南京市社会科学院 中共南京市委党校

南京社会科学

CSTPCDCSSCICHSSCD北大核心
影响因子:0.998
ISSN:1001-8263
年,卷(期):2024.(5)
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