人工智能模拟时代的艺术品
Artwork in the Era of Artificial Intelligence Simulation
陶锋1
作者信息
摘要
与机械复制时代的表面形象复制不同,人工智能通过模拟人类的艺术机制来生成艺术品.模拟包括仿真、仿生和虚拟三个层面.人工智能已经成为艺术生成的"代理"式主体,迫使我们打破艺术的"人类中心主义".与机械复制艺术不同,人工智能艺术是内禀的,可以再造灵晕和情感.人工智能艺术会带来三重挑战:1.替代问题:人工智能会在智力和社会层面部分替代艺术工作者;2.信任问题:真假判断是人工智能艺术的基础判断;3.虚拟问题:智能科技可能会模拟生成一个虚拟社会.人工智能艺术可以成为智能技术应用的实验.人工智能模拟时代产生一种控制辩证法,人们要重视人工智能技术的可控和不可控因素.想要解决人工智能与人类的关系悖论,需要将人工智能技术上升为艺术,用艺术来引导技术的发展.
Abstract
Unlike surface image replication in the era of mechanical reproduction,artificial intelligence(AI)gener-ates artwork by simulating human artistic mechanisms.This imitation occurs on three levels:emulation,bionics,and vir-tuality.AI has become an"agent"subject in art creation,which forces us to break away from the"anthropocentrism"of art.Dissimilar to mechanically reproduced art,AI-generated art is intrinsic and capable of recreating aura and emotion.AI art presents three challenges:1)the issue of substitution,where AI may partially replace human artists on intellectual and social levels;2)the issue of trust,where determining authenticity is fundamental to evaluating AI-generated art;3)the issue of virtuality,where intelligent technology may simulate and generate a virtual society.AI art can serve as an ex-periment for the application of intelligent technology.The era of AI simulation introduces a dialectic of control,urging us to consider both the controllable and uncontrollable aspects of AI technology.To resolve the paradox between AI and hu-man relations,AI technology needs to be elevated to the level of art,using art to guide technological development.
关键词
人工智能艺术/模拟/替代/控制/技艺Key words
AI Art/Imitation/Substitution/Control/Technique引用本文复制引用
基金项目
国家社会科学基金后期资助项目(22FZXB064)
出版年
2024