清代书画活动中的民族交融及其中华文化认同功能探析——以清代西园文人交游圈为中心
An Analysis of Ethnic Integration and the Identity Function of Chinese Cultural in Qing Dynasty Calligraphy and Painting Activities——Centered on the Social Circle of Literati in the Western Garden during the Qing Dynasty
奥日莎1
作者信息
- 1. 内蒙古大学文学与新闻传播学院,内蒙古呼和浩特 010021
- 折叠
摘要
清代出现了大量多民族共同参与的书画活动,展现了各民族对中华文化的认同与共塑,以允禧为核心的西园文人交游圈便是其中的一个范例.他们的书画活动及书画文学作品展现了清代多民族交往交融的历史图景,呈现出各族文人对中华文化认同的具体表征,揭示了清代多民族书画活动所具有的中华文化认同功能.
Abstract
In the Qing Dynasty,there were a large number of calligraphy and painting activities involving multiple ethnic groups,demonstrating their identity and joint shaping of Chinese culture.The Western Garden literati circle centered around Yunxi was one example of this.Their calligraphy and painting activities,as well as their literary works,showcase the historical scene of multi-ethnic communication and integration in the Qing Dynasty,presenting specific representations of Chinese cultural identity by literati of various ethnic groups,and revealing the function of multi-ethnic calligraphy and painting activities in the Qing Dynasty in identifying Chinese culture.
关键词
书画活动/书画文学/文化认同/中华民族共同体Key words
Calligraphy and painting activities/calligraphy and painting literature/cultural identity/the Chinese Na-tional Community引用本文复制引用
基金项目
内蒙古自治区高等学校创新团队项目(NMGIRT2209)
"草原英才"工程创新创业团队项目(第十二批)()
出版年
2024
NETL
NSTL
万方数据