中国电影音乐中少数民族音乐元素的掺入与整合——以少数民族题材电影《草原上的人们》为研究对象
The incorporation and integration of ethnic music elements in Chinese film music——People on Prairiea a film about ethnic minorities,as the object of analysis
沈力1
作者信息
摘要
从电影艺术诞生之日起,音乐就成为电影中必不可少的组成元素之一.无独有偶,从1930年中国第一部有声电影诞生之日起,中国电影音乐中的民族化进程业已起步.为此,中国的音乐家们为中国电影音乐民族化的进程,坚持创作,取得了令人瞩目的成就.新中国成立后,中国电影音乐中,尤其是反映少数民族题材的电影,少数民族音乐元素的渗入和整合的比重明显增加,其中最值得一提的是"十七年时期"少数民族题材电影音乐中对于中国少数民族音乐的渗入吸纳与改编创新,影片《草原上的人们》是它们当中的代表和典范.认真总结其创编经验,有助于今天对中华文化多元性的深刻理解,正是这种对于中华文化载体的全方位了解和诠释,才给予今天的创作者们更大、更广的发挥艺术创造力的空间,也展示出电影音乐在建构中华民族命运共同体的整体进程中所发挥出的独特功能.
Abstract
Since the birth of the film art,music has become one of the indispensable parts of the film.Coincidentally,since the birth of China's first sound film in 1930,the nationalization of Chinese film music has actually begun.For many years,the great people's musicians have worked hard for the nationalization of film music,insisted on continuous creation,and made gratifying achievements.After the founding of New China,the proportion of ethnic music elements in Chinese films has increased significantly,and the most noteworthy one is the ethnic minority films in the"seventeen Years Period",whose nationalization has become the label and trend of Chinese film music.Ethnic music is the cultural carrier of national cultural spirit and consciousness,giving creators the space to exert their artistic creativity,making important contributions to the diversification of film music,not only promoting the wide spread of ethnic minority culture,but also bearing the unique function of building the Chinese national community.
关键词
电影音乐/少数民族题材电影/民族音乐元素Key words
Film music/Movies with ethnic minority themes/Ethnic music elements引用本文复制引用
基金项目
北京市高等学校高精尖学科建设项目(2019)(000136876)
北京电影学院科研项目(2021)(XGH202103)
出版年
2024
NETL
NSTL
万方数据