摘要
本文以费孝通先生提出的民族走廊学说为研究视角,以南岭民族走廊为研究对象,对走廊所包含的东段粤北地区、中段桂东北地区、北段湘西南地区的瑶族、汉族、壮族、苗族、侗族、客家等族群舞蹈的分布及互动展开比较研究.拟从区域舞蹈文化研究的范式转变、民族迁徙、信仰流播、"中心"与"边缘"等多元视角来看族群舞蹈文化的互动互融,印证南岭民族走廊各族群在历史上的动态流变,以此阐释中华民族多元一体理论的形成与发展,为南岭民族走廊舞蹈文化研究提供更多研究的视角与案例.
Abstract
From the perspective of the national corridor theory proposed by Fei Xiaotong,this paper takes the the Nanling Mountain National Corridor as the research object,and conducts a corresponding study on the distribution and interaction of Yao,Han,Zhuang,Miao,Dong,Hakka and other ethnic groups'dances in the eastern part of northern Guangdong,the central part of northeastern Guangxi,and the northern part of southwestern Hunan.It plans to carry out a corresponding study from the paradigm shift of regional dance culture research,ethnic migration,belief dissemination From the perspective of"center"and"edge",the integration and interaction of ethnic dance culture is seen to confirm the dynamic changes of various ethnic groups in the history of the Nanling Mountain National Corridor,so as to explain the formation and development of the theory of pluralistic integration of the Chinese nation,and provide more research perspectives and views for the research of dance culture in the Nanling Mountain National Corridor.
基金项目
国家社会科学基金艺术学一般项目(2020)(20BE072)
广东省学位与研究生教育改革研究项目(2023JGXM126)