Based on a field survey of the Qing Dynasty stele architectural art in Wanyuan City,Sichuan Province,the article believes that the Qing Dynasty stele architectural art in Wanyuan City is situated in the special immigrant background of"Hubei filling Sichuan".In addition to the functional needs of burial and worship,it aims to complete the reconstruction of multiple identities of tomb owners and families in immigrant society through artistic forms,such as religion,region,blood relationship,and society.These stone tablets serve as material carriers to help tomb owners and families reconstruct their personal identities in new territories,establish family prestige,and gain recognition from others.On the other hand,in an immigrant area that requires cultural integration,folk art is used to express the cultural symbols shared by the Chinese nation,shape the visual image of the immigrant society,and construct new collective consciousness and cultural space.
Qing Dynastyarchitectural art of stelesHuguang filling Sichuanfolk arts and crafts
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