内蒙古乌拉特民歌演唱中的数字观念及文化象征——以内蒙古巴彦淖尔市乌拉特前旗白彦花田野考察为例
The Concept of Numbers and Cultural Symbols in the Singing of Urad Folk Songs——Taking the Field Investigation of Baiyanhua in Urad Front Banner as an Example
安格丽玛 1哈斯巴特尔2
作者信息
- 1. 内蒙古艺术学院 内蒙古 呼和浩特 010000
- 2. 江西科技师范大学 江西 南昌 330200
- 折叠
摘要
在内蒙古乌拉特草原地区的传统民歌演唱习俗中,存在着一种独特的表现形式,即运用数字"3"或"9"作为组歌的主要结构进行演唱,这一习俗深深植根于当地民众对自然世界万物变化的细致观察以及他们深厚的数字观念之中.近代著名的音乐学家梅日更葛根罗桑丹毕坚赞在其创作的礼仪歌曲和宴礼规则中大量地运用了诸多的数字结构,也对内蒙古乌拉特民歌演唱产生了影响,当地民众在各种仪式活动中普遍遵循以三首歌为一组的演唱方式.本文基于田野考察资料,深入剖析了内蒙古乌拉特民歌在各类礼俗场合中所演唱的礼仪歌曲的题材内容.通过对三首一组的礼仪歌曲的具体题目、题材内涵及歌词含义之间内在关联的深度解读,力求揭示其背后丰富的文化意蕴.同时,站在他者的视角,进一步阐述数字观念如何深刻地渗透到传统的礼俗活动之中,探求其对民歌演唱艺术的传承与发展的影响,体现出中华民族多元文化交融一体的观念.
Abstract
In the traditional folk song singing customs of the Urad region,there is a unique form of expression,which uses the number"3"or"9"as the main structure of the group song for singing.This custom is deeply rooted in the Urad people's meticulous observation of the changes in the natural world and their profound concept of numbers.The famous modern historian and musicologist Meiri Genggen had a profound influence on such customs in his created ceremonial songs and banquet rules,which led to the general practice of singing three songs in groups among people in various ritual activities in areas such as Baiyanhua in Urad Front Banner.The following text is based on field investigation data and provides an in-depth analysis of the theme content of ritual songs sung by the Urad people in various ceremonial occasions.Through a deep interpretation of the specific titles,thematic connotations,and inherent relationships between the lyrics of three etiquette songs in a group,we strive to reveal the rich cultural connotations behind them.At the same time,from the perspective of insiders in the Cultural Bureau,further elaborate on how digital concepts deeply penetrate into traditional customs and traditions,the inheritance and development of folk song singing art,and even the integration and interaction of different cultures,demonstrating their unique and undeniable influence.
关键词
乌拉特/数字观念/礼俗规则/象征意义/田野考察Key words
ethnic dance/choreography/talent training/inheritance development/dance science引用本文复制引用
基金项目
内蒙古自治区哲学社会科学重点研究基地"草原丝绸之路音乐文化传播与研究基地"资助项目()
2018年度内蒙古哲学社会科学规划重大项目(2018ZDA006)
2018年度国家社科基金艺术学项目(18BD054)
内蒙古艺术学院基本科研业务费项目(22NYJB10)
出版年
2024
NETL
NSTL
万方数据