首页|大理三元社洞经乐谱《玉振金声》若干问题的思考

大理三元社洞经乐谱《玉振金声》若干问题的思考

An Analysis of"YuZhenJinSheng",a Musical Notation of Dongjing Music from Sanyuanshe in Dali

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洞经音乐作为在中国西南地区流传广泛的地方性乐种,其乐谱是中国传统音乐乐谱的重要组成部分.大理洞经乐谱《玉振金声》作为目前能搜集到的较早乐谱版本,是我们了解明以来大理洞经音乐相关历史信息的重要文献.本文将从大理《玉振金声》产生的时间、乐调类别及曲源考索、乐谱类型及特征、乐谱符号及内涵几个方面入手,尝试探究《玉振金声》的价值及内涵,并兼及《玉振金声》乐谱与当代大理洞经音乐间的关系.
Dongjing music is a local music genre that has a wide circulation in southwest China,and its musical notation is an essential component of Chinese traditional music notation."YuZhenJinSheng",the earlier version of the musical notation of Dongjing music from Dali that can be collected so far,is important literature from which we can learn about historical information related to Dongjing music in Dali since the Ming dynasty.In this article,the value and connotation of"YuZhenJinSheng"will be explored from the aspects of the time when"YuZhenJinSheng"from Dali was produced,the melody and the source of the music,the type and characteristics of the musical notation,as well as the symbols and connotations of the musical notation.The relationship between the musical notation of"YuZhenJinSheng"and contemporary Dongjing music in Dali will also be discussed.

Sanyuanshe in DaliMusical notation of Dongjing music"YuZhenJinSheng"Consular Jurisdiction

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云南师范大学 云南 昆明 650500

大理三元社 洞经乐谱 《玉振金声》 思考

2021年度国家社科基金冷门绝学"中国西南洞经音乐文献整理研究暨数据库构建"专项研究教育部人文社科项目

21VJXG01921YJC760076

2024

内蒙古艺术学院学报
内蒙古大学艺术学院

内蒙古艺术学院学报

CHSSCD
影响因子:0.188
ISSN:2096-5621
年,卷(期):2024.21(2)