闽南歌仔戏"悲情性"审美特征的生成机制探究
Research on the Generative Mechanism of the"Tragic"Aesthetic Characteristics of Minnan Gezi Opera
卓莉莉1
作者信息
- 1. 泉州幼儿师范高等专科学校 福建泉州 362000
- 折叠
摘要
"悲情性"是发端于闽南、形成发展于台湾而后流行于闽南文化圈的歌仔戏的情感主线与审美特征.文章从音乐文化学的角度切入,研究认为作为一种社会文化现象,闽南歌仔戏"悲情性"审美特征的生成,与其所处的文化历史环境形成共生关系,也与剧本偏好悲剧性内容、音乐以"哭"当歌等因素密切相关,同时更是闽南人"以悲为美"的审"悲"心理意识特征的外化.
Abstract
"Sadness"is the emotional main line and aesthetic characteristics of Gezi opera,which originated in Minnan,formed and developed in Taiwan,and then became popular in Minnan cultural circle.From the perspective of music culturology,this paper studies that as a social and cultural phenomenon,the generation of the"tragic"aesthetic characteristics of Minnan Gezi Opera forms a symbiotic relationship with its cultural and historical environment,and is closely related to the factors such as the preference for tragic content in the script and the use of"crying"as the song in the music.At the same time,it is also the externalization of the psychological consciousness characteristics of the people in Minnan who regard sorrow as beauty.
关键词
闽南歌仔戏/悲情性/音乐文化学Key words
Minnan Gezi Opera/Pathos/Musical culturology引用本文复制引用
基金项目
福建省教育科学"十四五"规划2022年度课题立项课题(FJJKGZ22-058)
福建省教育科学"十四五"规划2023年度课题立项课题(FJJKXQ23-097)
出版年
2024
NETL
NSTL
万方数据