"物"之"情"的"自喻"语义符号诠释——论街舞类型片《热烈》影像语言的语法
The Semantic Interpretation of"Self Metaphor"in the"Emotion"of"Object"——On the Grammar of Image Language in Street Dance Genre"ONE AND ONLY"
刘丽珺1
作者信息
摘要
本文旨在运用认知语言学理论和情感社会学视角,分析以B-boy人物的形象塑造所投射出来社会群像的情感文化.影片在情感文化的设点主要聚焦于两代三种不同风格的B-boy人物身上,通过解构影像语言中具有情感结构的句法,诠释整体中各部分构成要素的语义符号,构建起体育舞蹈题材影片的一种"自喻"影像修辞,并以此探讨街舞类型片的情感价值、创作方法和创意突破.
Abstract
This paper applies cognitive linguistics theory and the perspective of affective sociology to analyze the emotional culture of the social group image projected by the portrayal of B-boy characters.The film focuses on the emotional and cultural aspects of B-boy characters from two generations with three different styles.By deconstructing the syntax with emotional structures in the visual language,interpreting the semantic symbols of the constituent elements of each part of the whole,it constructs a self metaphorical image rhetoric for Sports Dance themed films,and explores the emotional value,creative methods,and creative breakthroughs of Street Dance Genre.
关键词
情感社会学/B-boy人物形象/语义符号/情感结构Key words
the Sociology of Emotions/B-boy character image/semantic symbols/emotional structure引用本文复制引用
基金项目
2023年北京市文联基础理论课题研究项目(BJSWLJCLLKT2302)
河北省高校科研研究项目青年拔尖人才项目(BJ2018103)
出版年
2024
NETL
NSTL
万方数据